AR219-5-SP-CO:
Art in Latin America

PLEASE NOTE: This module is inactive. Visit the Module Directory to view modules and variants offered during the current academic year.

The details
2024/25
Philosophical, Historical and Interdisciplinary Studies (School of)
Colchester Campus
Spring
Undergraduate: Level 5
Inactive
Monday 13 January 2025
Friday 21 March 2025
15
27 September 2023

 

Requisites for this module
(none)
(none)
(none)
(none)

 

(none)

Key module for

(none)

Module description

During this module, we will look closely at select artworks that offer insights into key moments in art making in Latin America.


The module will study artworks in dialogue with the region's socio-political processes, addressing important historical events such as colonisation, the Mexican Revolution, modernisation, and political conflict. Within this interdisciplinary approach, we will focus mainly on modern and contemporary works of art to examine them in relation to issues such as nature and the landscape, cultural hybridity, modernity, trauma, and identity.

Module aims

The aims of this module are:



  • To explore key themes and issues related to Latin America through its artistic heritage.

  • To encourage interdisciplinary approaches to studying art.

  • To study key artistic movements in modern Latin America.

  • To familiarise students with the Essex Collection of Art from Latin America (ESCALA).

  • To contextualise artworks in broader political, social and cultural contexts.

Module learning outcomes

By the end of this module, students will be expected to be able to:



  1. Discuss works of art in relation to their social and historical contexts.

  2. Engage in close analysis of artworks considering their production and circulation.

  3. Read and discuss art historical and critical texts, and relate them to specific artworks.

  4. Engage in independent research by sourcing for and using secondary texts.

  5. Participate in class discussions and engage constructively with feedback.

  6. Formulate and sustain a clear argument in relation to specific works of art and their context, thinking critically and laterally.

Module information

The artistic heritage of Latin America is both as vast as its expansive geography and as rich as its complex history.


Interwoven with the social, political, and cultural realities that have shaped the region, art from Latin America is a diverse and fascinating tapestry of pre-Columbian artefacts and Colonial art; botanical surveys and post-independence paintings; iconographies of social revolution; avant-garde aesthetics; and contemporary engagements with violence and injustice. Artists from Latin America have long made significant contributions to innovating aesthetic forms by reaching beyond geographical boundaries to pioneer and engage with transnational movements, from Geometric Abstraction and Conceptualism, through to the digital interfaces at the frontiers of technological development.


The module will begin with an introduction to Latin America, then examine core topics over the following weeks, combining readings of key critical and analytical texts with detailed discussions of specific artworks.


It will engage closely with artworks at the Essex Collection of Art from Latin America (ESCALA), a major research and teaching collection at the University of Essex and a unique university and national resource. Representing 350 artists from 19 countries, ESCALA includes more than 750 artworks mostly produced from the 1960s to the present.


ESCALA often organises and shares information about events related to art from Latin America at the University's Colchester Campus or at other venues through its website blog.


We advise signing up to ESCALA's social media and checking the website frequently for information about ESCALA events and opportunities.


ESCALA also has a wealth of resources to support research and learning on its website: escala.org.uk and its Vimeo channel

Learning and teaching methods

This module will be delivered via:

  • One 2-hour lecture and seminar per week.

There will also be a reading week, exact week to be confirmed.

Bibliography

This module does not appear to have a published bibliography for this year.

Assessment items, weightings and deadlines

Coursework / exam Description Deadline Coursework weighting

Exam format definitions

  • Remote, open book: Your exam will take place remotely via an online learning platform. You may refer to any physical or electronic materials during the exam.
  • In-person, open book: Your exam will take place on campus under invigilation. You may refer to any physical materials such as paper study notes or a textbook during the exam. Electronic devices may not be used in the exam.
  • In-person, open book (restricted): The exam will take place on campus under invigilation. You may refer only to specific physical materials such as a named textbook during the exam. Permitted materials will be specified by your department. Electronic devices may not be used in the exam.
  • In-person, closed book: The exam will take place on campus under invigilation. You may not refer to any physical materials or electronic devices during the exam. There may be times when a paper dictionary, for example, may be permitted in an otherwise closed book exam. Any exceptions will be specified by your department.

Your department will provide further guidance before your exams.

Overall assessment

Coursework Exam
100% 0%

Reassessment

Coursework Exam
100% 0%
Module supervisor and teaching staff
Dr Olivia Arigho Stiles, email: olivia.arighostiles@essex.ac.uk.
PHAIS General Office - 6.130; arugadmin@essex.ac.uk.

 

Availability
Yes
Yes
Yes

External examiner

Dr Dominic Paterson
University of Glasgow
Senior Lecturer in History of Art / Curator of Contemporary Art
Resources
Available via Moodle
Of 505 hours, 18 (3.6%) hours available to students:
487 hours not recorded due to service coverage or fault;
0 hours not recorded due to opt-out by lecturer(s).

 


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