LT833-6-FY-CO:
Advanced Film Production

The details
2025/26
Literature, Film, and Theatre Studies
Colchester Campus
Full Year
Undergraduate: Level 6
Current
Thursday 02 October 2025
Friday 26 June 2026
30
06 March 2025

 

Requisites for this module
LT121 and LT122 and (LT225 or LT226)
(none)
(none)
(none)

 

(none)

Key module for

(none)

Module description

Advanced Film Production offers students the opportunity to develop their filmmaking skills through either a Collaborative or Individual pathway, tailored to their creative interests and career aspirations. The module emphasises the integration of practical filmmaking with scholarly research, enabling students to create short films (10–15 minutes) informed by critical and theoretical insights.


In the Collaborative pathway, students contribute to two major creative roles (e.g., Writer/Director, Producer, Cinematographer, Editor, Sound Designer) across different projects, fostering a dynamic team-based filmmaking process. Individual pathway students assume key creative roles — Writer, Director, and Producer — driving their projects from concept to completion while engaging with peers as part of a wider production network.


All students will also write a 3,500-word Critical Reflection, accounting for 30% of the overall mark, where they will evaluate their creative and collaborative processes, analyse production challenges, and demonstrate how research and theory informed their work.


Workshops, tutorials, and peer review sessions provide structured support, equipping students with the practical, critical, and organisational skills required to complete their projects. By the end of the module, students will have produced polished short films, deepened their understanding of film practice, and honed their ability to connect critical analysis with creative production.

Module aims

The aims of the module are:


• To advance filmmaking and storytelling skills through hands-on practice, scholarly research, and engagement with film language.
• To support students in linking theoretical research and creative practice, fostering critical thinking and the ability to reflect on their creative decisions.
• To provide students with opportunities to deepen their technical expertise, refine their research methodologies, and develop independent learning skills.
• To enable students to undertake significant independent or collaborative projects, encompassing all stages of filmmaking from pre-production to post-production.
• To encourage teamwork, collaboration, and effective communication within a creative environment.
• To strengthen the relationship between critical analysis and creative practice through structured reflection and research-informed filmmaking.

Module learning outcomes

By the end of this module, students will be expected to be able to:


1. Demonstrate advanced technical and creative filmmaking skills informed by scholarly research and critical analysis.
2. Apply research methodologies to support creative decision-making in filmmaking projects.
3. Produce polished short films (10–15 minutes) that reflect an understanding of film practice, storytelling, and technical proficiency.
4. Critically analyse their creative process and demonstrate how research and theory influenced their filmmaking decisions through a written Critical Reflection.
5. Exhibit a comprehensive understanding of production processes, including scriptwriting, cinematography, editing, sound design, and production management.
6. Showcase effective collaboration and communication skills within team-based or individual filmmaking environments.
7. Connect theoretical concepts with creative practice, demonstrating an awareness of how critical perspectives inform cinematic expression.

Module information

Estelle Barrett, Practice as Research:



  • Approaches to Creative Arts Enquiry

  • Students will compile a relevant bibliography during research

  • Further module materials will be available on moodle

Learning and teaching methods

This module will be delivered through a combination of:

• Workshops: Practical, hands-on sessions focusing on script development, cinematography, editing, sound design, production management, and other key aspects of filmmaking.
• Lectorials: Discussions and analysis of filmmaking theories, research methodologies, and critical reflection techniques to strengthen the connection between theory and practice.
• Supervision Tutorials: One-to-one or small-group tutorials providing personalised feedback on students’ film projects and critical reflections.
• Peer Review Sessions: Collaborative feedback forums where students present their work-in-progress, discuss production challenges, and refine their creative decisions.

This blended approach ensures that students are supported at every stage of their project, from pre-production to final reflection, while fostering collaboration and research-informed practice.

Bibliography*

This module does not appear to have a published bibliography for this year.

Assessment items, weightings and deadlines

Coursework / exam Description Deadline Coursework weighting
Coursework   Production Management & Planning Report    10% 
Coursework   Presentation    15% 
Coursework   Practical Film/Media Project    45% 
Coursework   Critical Practice Commentary    30% 

Additional coursework information

Presentation (15.00%); Practical Film/Media Project (45.00%); Critical Practice Commentary (30.00%); Production Management and Planning Report (10.00%)

Exam format definitions

  • Remote, open book: Your exam will take place remotely via an online learning platform. You may refer to any physical or electronic materials during the exam.
  • In-person, open book: Your exam will take place on campus under invigilation. You may refer to any physical materials such as paper study notes or a textbook during the exam. Electronic devices may not be used in the exam.
  • In-person, open book (restricted): The exam will take place on campus under invigilation. You may refer only to specific physical materials such as a named textbook during the exam. Permitted materials will be specified by your department. Electronic devices may not be used in the exam.
  • In-person, closed book: The exam will take place on campus under invigilation. You may not refer to any physical materials or electronic devices during the exam. There may be times when a paper dictionary, for example, may be permitted in an otherwise closed book exam. Any exceptions will be specified by your department.

Your department will provide further guidance before your exams.

Overall assessment

Coursework Exam
100% 0%

Reassessment

Coursework Exam
100% 0%
Module supervisor and teaching staff
Prof Jeffrey Geiger, email: j.geiger@essex.ac.uk.
Dr Tasos Giapoutzis, email: tasos.giapoutzis@essex.ac.uk.
Various
LiFTS General Office - email liftstt@essex.ac.uk. Telephone 01206 872626

 

Availability
No
No
No

External examiner

Dr Andrew Birtwistle
Canterbury Christ Church University
Reader in Film and Sound
Resources
Available via Moodle
Of 2 hours, 2 (100%) hours available to students:
0 hours not recorded due to service coverage or fault;
0 hours not recorded due to opt-out by lecturer(s), module, or event type.

 

Further information

* Please note: due to differing publication schedules, items marked with an asterisk (*) base their information upon the previous academic year.

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