LT229-5-AU-CO:
On-Screen Anti-Heroes & Marginalised Protagonists

The details
2026/27
Literature, Film, and Theatre Studies
Colchester Campus
Autumn
Undergraduate: Level 5
Current
Thursday 08 October 2026
Friday 18 December 2026
15
23 April 2026

 

Requisites for this module
(none)
(none)
(none)
(none)

 

(none)

Key module for

(none)

Module description

Why are we so often drawn to characters who do not fit the traditional mould of the hero? From morally complex anti-heroes to reluctant protagonists and socially marginalised figures, contemporary screen culture is shaped by outsiders who challenge dominant ideas of morality, success and power.


This module explores the rise of anti-heroes and marginalised figures across film, television and gaming. It examines how screen media invites audiences not only to observe morally ambiguous or socially excluded characters, but often to identify with them — and, in the case of gaming, to inhabit their perspective directly. Through close textual analysis and critical debate, students will consider how these figures disrupt conventional heroic ideals and reshape our understanding of agency, identity and belonging.


Moving beyond crime-centred anti-heroes, the module examines broader forms of marginality, including disability, mental health, race, gender, sexuality and class. It critically evaluates how screen media has historically and problematically stereotyped certain identities — particularly through associations between mental illness or difference and danger — while also exploring more recent attempts to challenge these tropes and foreground underrepresented protagonists.


Across a range of historical and contemporary case studies, the module asks: Who gets to be the hero? What happens when stories are centred from alternative perspectives, and how do these characters reflect shifting cultural attitudes toward difference, power and representation?


Content note: Screenings and discussions may include representations of violence, discrimination, abuse and mental illness. Students are encouraged to contact the module supervisor with any concerns.

Module aims

This aims of this module are to:



  • Examine the cultural and industrial significance of anti-heroes and marginalised figures across film, television and gaming.

  • Critically explore how screen media constructs, challenges and redefines traditional models of heroism.

  • Investigate how marginality is represented onscreen, with particular attention to disability, mental health, race, gender, sexuality and class.

  • Analyse the ways audiences are encouraged to engage with, identify with and, in interactive media, inhabit morally complex or socially excluded characters.

  • Develop informed critical debate about the ethical, political and representational implications of centring underrepresented protagonists in contemporary screen culture.

Module learning outcomes

By the end of this module, students will be expected to be able to:



  1. Demonstrate detailed knowledge of anti-heroes and marginalised figures across film, television and gaming.

  2. Critically analyse how heroism is constructed, disrupted and reimagined in screen media.

  3. Evaluate the representation of marginalised identities within contemporary and historical contexts.

  4. Apply relevant theoretical frameworks to debates around morality, identification, spectatorship and representation.

  5. Develop and communicate well-structured critical arguments in written, seminar-based or audio-visual work.

Module information

Todd Phillips, Joker (2019)


Martin Scorsese, The King of Comedy (1982)


Joel Schumacher, Falling Down (1993)


Jack Hill, Foxy Brown (1974)


Nick Broomfield, Aileen: The Life and Death of a Serial Killer (2003)


Laura Ricciardi, Making a Murderer (2015—)


Eric Goode & Rebecca Chaiklin, Tiger King: Murder, Mayhem and Madness (2020)


Vince Gilligan, Breaking Bad (2008-2013)


Jim O’Hanlon, The Punisher (2017-2019)


Jim Jarmusch, Ghost Dog: The Way of the Samurai (1999)


Pablo Larrain, Tony Manero (2008)


Jonathan Glazer, Under the Skin (2013)


Alfred Hitchcock, Rope (1948)


Clint Eastwood, Pale Rider (1985) / Rockstar Games, Red Dead Redemption (2018)


Franck Khalfoun, Maniac (2012)/ various POV Computer Games


Rémy Belvaux, Man Bites Dog (1992)


Milos Forman, One Flew Over the Cuckoo’s Nest (1975)


Bing Liu, Minding the Gap (2018)


Lee Daniels, Precious (2009)

Learning and teaching methods

Anticipated teaching delivery:

  • Weekly 1-hour lecture
  • Weekly 1-hour seminar

Bibliography*

(none)

Assessment items, weightings and deadlines

Coursework / exam Description Deadline Coursework weighting
Coursework   Summative Assignment    95% 
Practical   Participation mark    5% 

Exam format definitions

  • Remote, open book: Your exam will take place remotely via an online learning platform. You may refer to any physical or electronic materials during the exam.
  • In-person, open book: Your exam will take place on campus under invigilation. You may refer to any physical materials such as paper study notes or a textbook during the exam. Electronic devices may not be used in the exam.
  • In-person, open book (restricted): The exam will take place on campus under invigilation. You may refer only to specific physical materials such as a named textbook during the exam. Permitted materials will be specified by your department. Electronic devices may not be used in the exam.
  • In-person, closed book: The exam will take place on campus under invigilation. You may not refer to any physical materials or electronic devices during the exam. There may be times when a paper dictionary, for example, may be permitted in an otherwise closed book exam. Any exceptions will be specified by your department.

Your department will provide further guidance before your exams.

Overall assessment

Coursework Exam
100% 0%

Reassessment

Coursework Exam
100% 0%
Module supervisor and teaching staff

 

Availability
Yes
Yes
Yes

External examiner

No external examiner information available for this module.
Resources
Available via Moodle
No lecture recording information available for this module.

 

Further information

* Please note: due to differing publication schedules, items marked with an asterisk (*) base their information upon the previous academic year.

Disclaimer: The University makes every effort to ensure that this information on its Module Directory is accurate and up-to-date. Exceptionally it can be necessary to make changes, for example to programmes, modules, facilities or fees. Examples of such reasons might include a change of law or regulatory requirements, industrial action, lack of demand, departure of key personnel, change in government policy, or withdrawal/reduction of funding. Changes to modules may for example consist of variations to the content and method of delivery or assessment of modules and other services, to discontinue modules and other services and to merge or combine modules. The University will endeavour to keep such changes to a minimum, and will also keep students informed appropriately by updating our programme specifications and module directory.

The full Procedures, Rules and Regulations of the University governing how it operates are set out in the Charter, Statutes and Ordinances and in the University Regulations, Policy and Procedures.