EA113-4-SU-:
Actor and Text
2024/25
East 15 Acting School
Summer
Undergraduate: Level 4
Current
Tuesday 22 April 2025
Friday 27 June 2025
15
05 December 2024
Requisites for this module
(none)
(none)
(none)
(none)
(none)
BA W411 Acting,
BA W411MV Acting,
BA W83A Acting (International),
BA W441 Acting and Contemporary Theatre
This first year acting module provides opportunities for students to apply the introductory learning of EA111 Introduction to Acting Theory, Method & Practice to more demanding textual and acting challenges. You will continue to advance your actor training through a focussed approach to the theatre of a particular period. Work on this course will be informed by your learning on EA118-4-FY Contextual Studies. The work of this module will progress into second year when it will inform and support the Acting/Voice project in EA213 Acting Techniques and Styles. This first year acting module provides opportunities for students to apply the introductory learning of EA111 Introduction to Acting Theory, Method & Practice to more demanding textual and acting challenges. You will continue to advance your actor training through a focussed approach to the theatre of a particular period. Work on this course will be informed by your learning on EA118-4-FY Contextual Studies. The work of this module will progress into second year when it will inform and support the Acting/Voice project in EA213 Acting Techniques and Styles. In this module students will explore modern classics, which explore a depth of human psychology, in order to consolidate their detailed understanding of another person's existence and how to portray it convincingly. Scenes are chosen that will assist the development of your ability to find the means in your methodology to 'live in the moment' and to react spontaneously within the course of action pre-determined by the text.
Through practice-based learning and research you will develop the courage to take risks in your character creations, and expression of emotional life.
1. Introduction to sustaining connection & relationships in the communication of complex ideas through structured text.
2. Introduction to making use of both directorial advice and skills to enhance performance.
The aims of this module are:
- To use research, textual analysis and integrated skills to create truthful characters
- To use their creative imaginations with spontaneity and discipline
- To demonstrate well- developed and truthfully expressed relationships and emotions
- To work effectively in an ensemble.
- To show a willingness to become involved in all aspects of production work.
- To relate form and style with the content of a play
- To develop and sustain a believable character
- To understand and accurately interpret language, plot and style
- To sustain improvisation with discipline, spontaneity and creative imagination
By the end of this module, students will be expected to be able to:
- Find and communicate connection between text, character & situation.
- Creative Inventiveness: Sustain creativity through fresh responses to material & fellow actors.
- Transform into character through rehearsal choices.
- Take and build on Director’s notes: Accept, understand & act on criticism.
- Exercise flexibility & sensitivity to change within the process.
- Show commitment, positive attitude, discipline, contribution and focus.
- Communicate character through voice, speech, physicality & movement.
- Show breadth & relevance of research material from a variety of sources.
- Integrate research into the work.
- Accomplish individual & personal goals.
- Extend range, confidence & realisation of professional potential.
- Ensemble Acting: adaptability, generosity, awareness of relationships
- Objective self-assessment: awareness of own strengths and weaknesses as an actor, ability to accept criticism and act upon it
No additional information available.
This module will be delivered via:
- Students work with tutors in group practical classes.
- Learning also takes place in workshops, supervised and unsupervised rehearsals and performances.
- Key improvisation exercises are set throughout the course with feedback from tutors and peers
- At the end of the module students will show scenes to staff and peers. Formative feedback is given by the tutor.
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Merlin, B. (2014)
The complete Stanislavsky toolkit. Rev. ed. London: Nick Hern Books. Available at:
https://ebookcentral.proquest.com/lib/universityofessex-ebooks/detail.action?docID=1725505.
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Caldarone, M. and Lloyd-Williams, M. (2004)
Actions: the actors’ thesaurus. London: Nick Hern. Available at:
https://ebookcentral.proquest.com/lib/universityofessex-ebooks/detail.action?docID=5149866.
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Benedetti, J. (2007)
The art of the actor: the essential history of acting, from classical times to the present day. New York: Routledge. Available at:
https://ebookcentral.proquest.com/lib/universityofessex-ebooks/detail.action?docID=1074537.
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Chekhov, A.P., Hercher, J. and Urban, P. (2011)
Chekhov on theatre. London: Nick Hern. Available at:
https://ebookcentral.proquest.com/lib/universityofessex-ebooks/detail.action?docID=5286985.
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Demidov, N.V. (2016a)
Nikolai Demidov: becoming an actor-creator. Edited by A. Malaev-Babel and M.N. Laskina. Abingdon: Routledge, Taylor & Francis Group. Available at:
http://www.taylorfrancis.com/books/9781315621685.
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Davies, O.F. (2019)
Performing Shakespeare: [preparation, rehearsal, performance]. London: Nick Hern Books. Available at:
https://ebookcentral.proquest.com/lib/universityofessex-ebooks/detail.action?docID=5965209.
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Demidov, N.V. (2016b)
Nikolai Demidov: becoming an actor-creator. Edited by A. Malaev-Babel and M.N. Laskina. Abingdon: Routledge, Taylor & Francis Group. Available at:
http://www.taylorfrancis.com/books/9781315621685.
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Annett, M. (2004)
Actor’s guide to auditions & interviews. 3rd ed. London: A. & C. Black. Available at:
https://ebookcentral.proquest.com/lib/universityofessex-ebooks/detail.action?docID=6160017.
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Bishop, N. (2009)
Secrets from the casting couch: on camera strategies for actors from a casting director. London: Methuen Drama. Available at:
https://ebookcentral.proquest.com/lib/universityofessex-ebooks/detail.action?docID=692114.
The above list is indicative of the essential reading for the course.
The library makes provision for all reading list items, with digital provision where possible, and these resources are shared between students.
Further reading can be obtained from this module's
reading list.
Assessment items, weightings and deadlines
Coursework / exam |
Description |
Deadline |
Coursework weighting |
Practical |
Continuous Assessment |
|
|
Exam format definitions
- Remote, open book: Your exam will take place remotely via an online learning platform. You may refer to any physical or electronic materials during the exam.
- In-person, open book: Your exam will take place on campus under invigilation. You may refer to any physical materials such as paper study notes or a textbook during the exam. Electronic devices may not be used in the exam.
- In-person, open book (restricted): The exam will take place on campus under invigilation. You may refer only to specific physical materials such as a named textbook during the exam. Permitted materials will be specified by your department. Electronic devices may not be used in the exam.
- In-person, closed book: The exam will take place on campus under invigilation. You may not refer to any physical materials or electronic devices during the exam. There may be times when a paper dictionary,
for example, may be permitted in an otherwise closed book exam. Any exceptions will be specified by your department.
Your department will provide further guidance before your exams.
Overall assessment
Reassessment
Module supervisor and teaching staff
Hatfields Campus
Rectory Lane
Loughton, IG10 3RY
No
No
No
No external examiner information available for this module.
Available via Moodle
No lecture recording information available for this module.
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