AR915-7-SP-CO:
Collecting Art From Latin America
2024/25
Philosophical, Historical, and Interdisciplinary Studies (School of)
Colchester Campus
Spring
Postgraduate: Level 7
Current
Monday 13 January 2025
Friday 21 March 2025
20
23 February 2024
Requisites for this module
(none)
(none)
(none)
(none)
(none)
MA V35612 Curating,
MA V356PP Curating with Professional Placement
This module offers you the opportunity to learn about and shape the future of the Essex Collection of Art from Latin America (ESCALA) by developing research and professional skills to pitch an artwork for acquisition by the collection. Over an intensive period of 10 weeks, you will learn about the development of curatorial frameworks for collecting and displaying art from Latin America, contemporary art from Latin America, the foundation, mission and vision of ESCALA, and the practical steps required to successfully acquire an artwork. This module gives you a unique opportunity to engage with the real-world challenges of running a University-based art collection, through sessions led by ESCALA's curatorial team. Through research-focused sessions, we will also engage closely with the recent exhibitions of ESCALA works at the University gallery Art Exchange, and the ESCALA collection themes of Environment, Indigenous America and Human Rights.
The aims of this module are:
- To provide students with opportunities to study artworks from ESCALA at first-hand, directly accessing the Collection and related resources.
- To encourage students to research a new acquisition for a university art collection.
- To equip students to develop real-world transferable skills in making a written and oral case to an art acquisitions funding board.
- To equip students to turn a written report into an oral and visual presentation and to develop their presentation style and skills.
- To equip students to work collaboratively rather than competitively.
- To equip students to work under time pressure.
By the end of this module, students will be expected to be able to:
- Developed the skills to research a new acquisition in relation to ESCALA's current acquisition policy and focus.
- Developed the skills to make a written acquisition proposal to an art acquisitions funding board, using the template provided by the Art Fund and adapted for the module.
- Developed the skills to turn a written proposal into an oral and visual presentation.
- Developed their individual presentation style and skills based on feedback from the tutor and peers and on self-evaluation.
- Developed an ability to work individually, in pairs and then in groups in a collaborative rather than competitive way, gaining an insight into their own and other people's strengths and how to harness these to reach a common goal.
- Improved their ability to work flexibly and under the pressure of time in learning new material and transforming it into different formats within a few weeks.
- Gained a greater awareness of ESCALA and of contemporary art traditions beyond Europe and the U.S.
"Collecting Art from Latin America” will support the development of core skills for your development as emerging professionals in cultural institutions. You will learn how to write and then present an acquisitions proposal, based on a model used by the Art Fund, which you’ll pitch individually to an expert panel. The coursework also focuses on the production of short artwork analyses geared toward real-world modes of dissemination, such as exhibition catalogues and labels. You will be guided carefully through this process and will be required to work within a clear set of guidelines and procedures which will also give you insight into the standards of best practice followed by collections such as ESCALA that are accredited by Arts Council England. Should the expert panel reach consensus, ESCALA may purchase the "winning" artwork.
Although no prior regional expertise is required for this module, students are encouraged to gain an initial awareness of art from Latin America before the module begins through recommended readings. Weekly required readings on theoretical and art critical issues will inform group discussions and individual research into artworks to be proposed for acquisition in the coursework assignments. Students will need to become familiar with ESCALA's holdings through online resources, such as artist interviews and texts produced by students from the University of Essex, as well as independent research.
This module will be delivered via:
This module requires students to complete the essential readings for each week in order to facilitate discussion during the seminars. The sessions cover topics, theories and artworks; discussion and close analysis of ESCALA artworks; discussion of set readings; presentations on ESCALA's institutional ethos and collecting policy; and formative advice and feedback to strengthen presentation skills and coursework preparation
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Essex Collection of Art from Latin America (ESCALA website) (no date). Available at:
https://escala.org.uk/home.
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‘ESCALA on Vimeo’ (no date). Available at:
https://vimeo.com/essexcollection.
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‘Lisa Blackmore (lecture) Environmental Art in the Essex Collection of Art from Latin America’ (no date). Available at:
https://vimeo.com/413499182.
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‘Unsettling Journeys - Latinx Histories and Arts’ (no date). Available at:
https://www.youtube.com/channel/UCeW4hJJb3hI1nu6IvRVT5Gg.
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Ades, D. (2014) ‘Latin American Art and the UK: An Interview’, in
Connecting through collecting: 20 years of art from Latin America at the University of Essex. Colchester: ESCALA, Essex Collection of Art from Latin America, pp. 58–69. Available at:
https://escala.org.uk/ld.php?content_id=33799680.
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Fraser, V. (2014) ‘Latin American Art from a UK Perspective: Politics, Ethics, and Aesthetics’, in
Connecting through collecting: 20 years of art from Latin America at the University of Essex. Colchester: ESCALA, Essex Collection of Art from Latin America, pp. 72–81. Available at:
https://escala.org.uk/ld.php?content_id=33799680.
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Mosquera, G. (2001) ‘Good-bye identity, welcome difference’,
Third Text, 15(56), pp. 25–32. Available at:
https://doi.org/10.1080/09528820108576926.
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Alberto Baraya, Expedición Machu Picchu: Orquídea parásita verde (2013) (no date). Available at:
https://search.escala.org.uk/object-1-2016.
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Alejandro Jaime, Andenes III (2014) (no date). Available at:
https://search.escala.org.uk/object-3-2017.
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Alejandro Jaime, Paisaje expandido / paisaje contenido IV (2016) (no date). Available at:
https://search.escala.org.uk/object-2-2017.
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‘Representation and Participation: Indigenous Latin American artists in the Transition between Two Centuries’ (no date).
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Environment Collection Theme (ESCALA) (no date). Available at:
https://escala.org.uk/c.php?g=693751&p=4976414.
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‘Natural Artifices. Interview with Alberto Baraya (Lisa Blackmore, 2018)’ (no date). Available at:
https://vimeo.com/essexcollection.
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Jaime, A. and Blackmore, L. (2019) ‘The Landscape is a Constant Delirium: Interview with Alejandro Jaime’. Colchester, UK: ESCALA. Available at:
https://vimeo.com/333084451.
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Manthorne, K. (2015) ‘The Latin American Landscape in a Global Context’, in K. Manthorne (ed.) Traveler Artists: Landscapes of Latin America in the Patricia Phelps de Cisneros Collection. New York: Colección Patricia Phelps de Cisneros, pp. 14–23.
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Diener, P. (2015) ‘The Traveler Artist: The Construction of Landscape, the Picturesque, and the Sublime’, in K. Manthorne (ed.) Traveler artists?: landscapes of Latin America from the Patricia Phelps de Cisneros Collection. New York: Colección Patricia Phelps de Cisneros, pp. 24–31.
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Brown, K.W. (2012) ‘The Lure of Gold, the Wealth of Silver’, in
A History of Mining in Latin America: From the Colonial Era to the Present. Albuquerque: University of New Mexico Press, pp. 1–14. Available at:
https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=442286&site=ehost-live&ebv=EB&ppid=pp_1.
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Bleichmar, D. (2017) ‘Collecting: From Wonder to Order’, in Visual Voyages: Images of Latin American Nature from Columbus to Darwin. New Haven: Yale University Press, pp. 91–155.
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Nancy Ley Stepan (2001) ‘Nancy Ley Stepans, “Going to the Tropics”’, in
Picturing Tropical Nature. London: Reaktion, pp. 31–56. Available at:
https://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=292668&site=ehost-live&ebv=EB&ppid=pp_31.
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Abraham Cruzvillegas, Ichárhuta (2017) (no date b). Available at:
https://search.escala.org.uk/object-1-2021.
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Abraham Cruzvillegas - portfolio via Kurimanzutto gallery (no date b). Available at:
https://www.kurimanzutto.com/artists/abraham-cruzvillegas#tab:slideshow.
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Ana Hupe, Notes on Triangular Cartographies (2019) (no date). Available at:
https://search.escala.org.uk/object-2-2021.
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‘Cecília Vilela on Ana Hupe’s “Notas de rodapé para uma cartografia triangular” (2019) on Vimeo’ (no date). Available at:
https://vimeo.com/738294717.
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‘Ana Hupe (video portfolio)’ (no date). Available at:
https://vimeo.com/124418295.
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Gómez-Barris, M. and EBSCOhost ebook collection (2017)
The extractive zone: social ecologies and decolonial perspectives. Durham: Duke University Press. Available at:
https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1614675.
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Neimanis, A. (2009) ‘Bodies of Water’, in J. Knechtel (ed.) Water. Cambridge, US: MIT Press.
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‘Amelia Brewsher discusses Abraham Cruzvillegas’ “Ichárhuta” (2017) on Vimeo’ (no date). Available at:
https://vimeo.com/735423072.
The above list is indicative of the essential reading for the course.
The library makes provision for all reading list items, with digital provision where possible, and these resources are shared between students.
Further reading can be obtained from this module's
reading list.
Assessment items, weightings and deadlines
Coursework / exam |
Description |
Deadline |
Coursework weighting |
Coursework |
Analysis of Artwork (500 words) |
17/02/2025 |
20% |
Coursework |
Acquisition Proposal Report (3500 words) |
17/03/2025 |
80% |
Additional coursework information
Analysis of artwork (500 words) (20%), Acquisition Proposal Report (3500 words) (80%)
Exam format definitions
- Remote, open book: Your exam will take place remotely via an online learning platform. You may refer to any physical or electronic materials during the exam.
- In-person, open book: Your exam will take place on campus under invigilation. You may refer to any physical materials such as paper study notes or a textbook during the exam. Electronic devices may not be used in the exam.
- In-person, open book (restricted): The exam will take place on campus under invigilation. You may refer only to specific physical materials such as a named textbook during the exam. Permitted materials will be specified by your department. Electronic devices may not be used in the exam.
- In-person, closed book: The exam will take place on campus under invigilation. You may not refer to any physical materials or electronic devices during the exam. There may be times when a paper dictionary,
for example, may be permitted in an otherwise closed book exam. Any exceptions will be specified by your department.
Your department will provide further guidance before your exams.
Overall assessment
Reassessment
Module supervisor and teaching staff
Dr Lisa Blackmore, email: lisa.blackmore@essex.ac.uk.
Dr Lisa Blackmore
PHAIS Postgraduate Queries: phaispg@essex.ac.uk
Yes
Yes
Yes
Dr Daniel James Rycroft
University of East Anglia
Associate Professor
Available via Moodle
Of 20 hours, 0 (0%) hours available to students:
20 hours not recorded due to service coverage or fault;
0 hours not recorded due to opt-out by lecturer(s).
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