University of Essex

AR323-6-AU-CO:
Art and Ideas III

The details

Year: 2024/25

Department: Philosophical, Historical, and Interdisciplinary Studies (School of)

Campus: Colchester Campus

Term: Autumn

Level: Undergraduate: Level 6

Status: Current

Start date: Thursday 03 October 2024

End date: Friday 13 December 2024

Credits: 15

Last updated: 11 April 2024

Requisites for this module

Pre-requisites: (none)

Co-requisites: (none)

Pre and / or co-requisites: (none)

Prohibited modules: (none)

Key module (requisite for): (none)

Key module for

BA V314 Art History,
BA V315 Art History (Including Placement Year),
BA V31B Art History (Including Foundation Year and Year Abroad),
BA V350 Art History (Including Foundation Year),
BA V35A Art History (Including Year Abroad),
MARTV399 Art History,
MARTVB98 Art History (Including Placement Year),
MARTVB99 Art History (Including Year Abroad),
BA VV31 Art History and History,
BA VV32 Art History and History (Including Placement Year),
BA VV38 Art History and History (Including Foundation Year),
BA VV3B Art History and History (Including Foundation Year and Year Abroad),
BA VV3C Art History and History (Including Year Abroad),
BA V3RB Art History and Modern Languages (Including Foundation Year and Year Abroad),
BA VR39 Art History and Modern Languages,
BA V3R9 Art History with Modern Languages,
BA VR3B Art History with Modern Languages (Including Foundation Year and Year Abroad),
BA PV33 Film Studies and Art History (Including Year Abroad),
BA VW36 Film Studies and Art History,
BA VW37 Film Studies and Art History (Including Placement Year),
BA VW38 Film Studies and Art History (Including Foundation Year),
BA VW3B Film Studies and Art History (Including Foundation Year and Year Abroad),
BA QV23 Literature and Art History,
BA QV24 Literature and Art History (Including Placement Year),
BA QV2H Literature and Art History (Including Foundation Year),
BA QV32 Literature and Art History (Including Year Abroad),
BA QV3B Literature and Art History (Including Foundation Year and Year Abroad),
BA VV53 Philosophy and Art History,
BA VV54 Philosophy and Art History (Including Foundation Year),
BA VV55 Philosophy and Art History (Including Placement Year),
BA VV5H Philosophy and Art History (Including Year Abroad),
BA VVHP Philosophy and Art History (Including Foundation Year and Year Abroad),
BA V351 Curating,
BA V352 Curating (Including Year Abroad),
BA V353 Curating (including Placement Year),
BA V359 Curating (Including Foundation Year),
BA V35B Curating (Including Foundation Year and Year Abroad),
BA W350 Art History, Visual Culture and Media Studies,
BA W351 Art History, Visual Culture and Media Studies (including Year Abroad),
BA W352 Art History, Visual Culture and Media Studies (including Placement Year),
BA W353 Art History, Visual Culture and Media Studies (Including Foundation Year),
BA R100 Art History and Language Studies,
BA R101 Art History and Language Studies (Including Foundation Year),
BA V305 Curating with Politics,
BA V306 Curating with Politics (Including Foundation Year),
BA V307 Curating with Politics (including Placement Year),
BA V308 Curating with Politics (including Year Abroad),
BA V309 Curating with History,
BA V310 Curating with History (Including Foundation Year),
BA V311 Curating with History (including Placement Year),
BA V312 Curating with History (including Year Abroad),
BA VV40 Art History, Heritage and Museum Studies,
BA VV41 Art History, Heritage and Museum Studies (Including Foundation Year),
BA VV42 Art History, Heritage and Museum Studies (including Placement Year),
BA VV43 Art History, Heritage and Museum Studies (including Year Abroad),
BA V301 Curating, Heritage and Human Rights,
BA V302 Curating, Heritage and Human Rights (Including Foundation Year),
BA V303 Curating, Heritage and Human Rights (Including Placement Year),
BA V304 Curating, Heritage and Human Rights (Including Year Abroad)

Module description

More art! More ideas! You’ve built your skills and knowledge in the methods and theory of art history, visual culture, and cultural studies more broadly. In this module, we will be building up those skills further. We will look at some of the most influential theoretical approaches to art in the 20^th Century and some of the most recent cutting-edge theoretical engagements with art.

Module aims

The aims of this module are:

To equip students with a range of the latest methodologies in art history, visual and material culture, performance studies and the digital humanities.

To provoke critical reflection on the social role, meaning and purpose of art and culture.

Module learning outcomes

By the end of this module, students will be expected to be able to:

Have a sound understanding of recent methodological turns beyond art history.

Be able to articulate and critically evaluate a number of central issues in visual and material culture.

Be able to evaluate the success of theoretical discussions of these issues with regard to a range of case studies.

Be able to demonstrate all these competences through seminar presentations and discussions combining theoretical and primary source material and in written work.

Module information

No additional information available.

Learning and teaching methods

This module will be delivered via:

One 2-hour combined lecture and seminar per week.

There will also be a Reading Week when no teaching will take place, exact week to be confirmed.

Bibliography

Arnold, D. (2020) Art History: A Very Short Introduction. 2nd ed. Oxford University Press, USA. Available at: https://doi.org/10.1093/actrade/9780198831808.001.0001.
Danto, Arthur C (2014) What Art Is. Yale University Press. Available at: https://www-jstor-org.uniessexlib.idm.oclc.org/stable/j.ctt32bfhx.
Danto, Arthur C. (2014) After the end of art: contemporary art and the pale of history. First Princeton classics edition. Princeton: Princeton University Press. Available at: https://app.kortext.com/Shibboleth.sso/Login?entityID=https://idp0.essex.ac.uk/shibboleth&target=https://app.kortext.com/borrow/1816473.
Ranciere, J. (2013) Politics of Aesthetics. Edited by G. Rockhill. London: Bloomsbury Publishing PLC. Available at: https://ebookcentral.proquest.com/lib/universityofessex-ebooks/detail.action?docID=5309787.
Deranty, J.-P. (ed.) (2010) Jacques Rancie`re: key concepts. Durham: Acumen Publishing. Available at: https://search-ebscohost-com.uniessexlib.idm.oclc.org/login.aspx?direct=true&db=nlebk&AN=924351&site=ehost-live&authtype=sso&custid=s9814295.
Stallabrass, J. (2020) Contemporary art: a very short introduction. Second edition. [Oxford]: Oxford University Press. Available at: https://doi.org/10.1093/actrade/9780198826620.001.0001.
Osborne, P. (2018) The postconceptual condition: critical essays. London: Verso. Available at: https://app.kortext.com/Shibboleth.sso/Login?entityID=https://idp0.essex.ac.uk/shibboleth&target=https://app.kortext.com/borrow/1497714.
Osborne, P. (2013) Anywhere or not at all: philosophy of contemporary art. Brooklyn, N.Y.: Verso Books. Available at: https://app.kortext.com/Shibboleth.sso/Login?entityID=https://idp0.essex.ac.uk/shibboleth&target=https://app.kortext.com/borrow/810992.

The above list is indicative of the essential reading for the course.
The library makes provision for all reading list items, with digital provision where possible, and these resources are shared between students.
Further reading can be obtained from this module's reading list.

Assessment items, weightings and deadlines

Coursework / exam	Description	Deadline	Coursework weighting
Coursework	Essay Plan Presentation	02/12/2024	35%
Coursework	2500-word Essay	13/01/2025	65%

Exam format definitions

Remote, open book: Your exam will take place remotely via an online learning platform. You may refer to any physical or electronic materials during the exam.
In-person, open book: Your exam will take place on campus under invigilation. You may refer to any physical materials such as paper study notes or a textbook during the exam. Electronic devices may not be used in the exam.
In-person, open book (restricted): The exam will take place on campus under invigilation. You may refer only to specific physical materials such as a named textbook during the exam. Permitted materials will be specified by your department. Electronic devices may not be used in the exam.
In-person, closed book: The exam will take place on campus under invigilation. You may not refer to any physical materials or electronic devices during the exam. There may be times when a paper dictionary, for example, may be permitted in an otherwise closed book exam. Any exceptions will be specified by your department.

Your department will provide further guidance before your exams.

Overall assessment

Coursework	Exam
100%	0%

Reassessment

Coursework	Exam
100%	0%

Module supervisor and teaching staff

Supervisor: Dr Joerg Schaub, email: jschaub@essex.ac.uk.

Teaching staff: Dr Joerg Schaub

Contact details: PHAIS General Office: 6.130, arugadmin@essex.ac.uk

Availability

Available to incoming Essex Abroad / Exchange students: Yes

Available to Outside Option: Yes

Available to Audit: Yes

External examiner

Name: Dr Dominic Paterson

Institution: University of Glasgow

Academic role: Senior Lecturer in History of Art / Curator of Contemporary Art

Resources

Teaching materials: Available via Moodle

Lecture recording: Of 12 hours, 12 (100%) hours available to students:
0 hours not recorded due to service coverage or fault;
0 hours not recorded due to opt-out by lecturer(s), module, or event type.

Further information

Department website: Philosophical, Historical, and Interdisciplinary Studies (School of)

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Module Directory

AR323-6-AU-CO:Art and Ideas III