AMERICAN TROPICS: TOWARDS A LITERARY GEOGRAPHY
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Sex and the Caribbean
An Interdisciplinary Symposium at the University of Essex
Tuesday 3 May 2011
Abstracts
Ronald Cummings (Leeds)
Queer Marronage
and the Politics of Urban Space
This paper focuses on Patricia Powell’s novel A Small
Gathering of Bones and her textual mapping of the spaces of gathering,
solidarity and pleasure shared by gay men in urban 1970s Jamaica. I argue here
that Powell’s work, while acknowledging the significance and importance of gay
bars and clubs, as communal sites and counterpublics of identification, also
directs our attention to an alternative queer maroon geography—one that is
difficult to definitively map but which exists alongside the more visible and
located spaces of gay life. These queer maroon spaces include transient,
contingent sites of gathering and identification such as Nanny-Sharpe’s Park
where men come together to engage in anonymous outdoor sex. It is significant
that in naming this park Powell invokes the maroon figures: Nanny of the Maroons
and Sam Sharpe. In doing so, she links the politics of claiming space by gay men
in late 20th-century Jamaica to the practice of marronage which in the context
of slavery represented a radical and subversive appropriation of space.
In this paper I use theoretical discussions of queer space such as that offered
by Judith Halberstam’s work as well as Michael Dash’s concept of ‘urban
marronage’ to explore the complex ways in which Powell’s characters negotiate
these urban spaces which Dash describes as ‘a new forest of symbols for the
urban maroon’.
Alison Donnell
(Reading)
Reading a Caribbean Queerness
Rather than
beginning with the glaring issue of homophobia and the impossibility of
queerness in the Caribbean, this paper adopts an opposing perspective, arguing
that the two concepts of queerness and Caribbeanness have significant areas of
contiguity and overlap. The Caribbean is an invented place - re-made by the
ragged and ruptured history of colonialism and the plantation economy. The
differently marked arrivals of Africans, Indians, Chinese, Irish, Syrians and
Europeans, who were brought to the region as part of forced, misled and
opportunist migrations, and the decimation of the majority of the indwelling
populations, engendered a relationship between people and place that was
discontinuous, layered and precarious. Similarly queerness takes its analytical
force from refusing alignment to any essential identity category, functioning
rather as a marker of ruptures, discrepancies and fictions. My point is that as
a place without clear or single origin, without guaranteed lineage and therefore
without the inherited, deterministic signatures of being, the Caribbean could be
seen as a queer place - a place where identity is unmasked as a performance, as
what can be crafted, invented and styled rather than what is discovered or
known.
In particular, this paper proposes a queering of sexual categories in recent
novels that are defiantly heteronormative and yet have a strong attachment to
writing of, and as, fantasy. Discussing Junot Diaz’s
The Brief Wondrous Life of Oscar Wao
and Ana Menendez’s Loving Che, my
attention comes from a queering of queerness away from same-sex erotic intimacy
towards the expression of surplus desire and historical yearnings that take
libidinal forms.
Ian Dudley (Essex)
Scientific Subjects/Objects of Desire: Amerindian Bodies in Edward Goodall's
'Sketches in British Guiana', 1841-1843
Edward Goodall (1819-1908) was a London-born, Royal
Academy trained, watercolourist. In 1841, the twenty-two-year-old artist
travelled to Guyana, then British Guiana, where for three years he worked as the
official illustrator for the surveying expeditions of Prussian explorer Robert
Schomburgk. In this role he produced over 250 watercolours, concentrating
largely on Guyana’s indigenous populations, of whom he made over seventy
individual portraits, as well as recording geography, botany, zoology, geology,
architecture, colonial society and expedition scenes. As befitted the
documentary imperatives of a scientific mission, Goodall rendered his Amerindian
subjects in a measured and naturalistic realism and the paintings were later
used by Schomburgk to illustrate his ethnological lectures. However, from the
writings of Robert and Richard Schomburgk we know that Goodall was by no means a
dispassionate observer of the Amerindian bodies he represented, particularly
with regard to the female form. Such was the beauty of one young Arecuna woman
for example, that the artist immediately proposed marriage, much to the
astonishment of his fellow travellers and potential father-in-law. The paper will
therefore explore the passionate heterosexual gaze belying the 'scientific' mask
of Goodall’s Amerindian portraits.
Kate Houlden (Queen Mary)
The Plantations of the Americas: Sex in the Writing of John Hearne
The work of Jamaican author John Hearne (1926-1994) is now little discussed, its
focus on the lives of a white, plantocratic elite proving incompatible with the
nation-building imperatives and subsequent racial tensions of the
post-independence era. I suggest that his importance lies, however, precisely in
this attempt to envisage a continuing function for Jamaica’s plantocratic class
in the face of the cultural and political upheavals occurring across the
Caribbean. The novels stand within the tradition of what Kim Robinson Walcott
identifies as those white writers from the region, whose ‘burden […] involves
struggling with a sense of marginalisation as a dwindling minority in an
environment of increasing Afro-or Indo-centricity’. Hearne’s fiction of the
1950s reveals a clear tension between his attraction to a regional, pan-American
form of unity and his locally based and emotionally loaded nostalgia for the
plantocratic world. It is his portrayal of sex, I suggest, that most clearly
gives away the contradictions between these two forms of thinking. While his
factual writings celebrate a fluid linguistic and sexual legacy more in line
with the ideas of a figure such as Glissant, much of Hearne’s fiction – like
that of his idol, William Faulkner – compulsively returns to the plantation
estates of his youth. Hearne makes a compelling, though flawed attempt to invite
those previously excluded on racial grounds into his gentrified plantation
world. Yet it is in the writing of his hypermasculine protagonists’ sexual lives
that the novels take on the exoticising gaze of white, male privilege. When this
occurs, the ‘racial mixing’ the author champions bleeds into a more prurient
inspection of the animal, or the savage, mind and body.
Wendy Knepper (Brunel)
Eros & Citizenship: The Fragmegrated Body Politic in a Globalising World
Wendy McMahon (UEA)
The Origins of Man: Contemporary Literary Representations of Masculinity in the Caribbean
Patricia Murray (London)
Men Without Women: Exploring Male Relations in Three Trinidadian Writers
In macho societies, replete with
violence, repression and unfulfilled desires, it is often the relations between
men that need to change before society at large can change. Taking its cue from
Hemingway, this paper will explore the representation of masculinity, and
particularly the desire on the part of the men to connect and interact, in
selected fiction by Earl Lovelace, Lawrence Scott and V.S. Naipaul.
From their different class and ethnic locations all
three writers are brutally aware of the pain of isolation and colonial
deprivation. In this context it is the relationships between the men that are
vividly drawn, creating intimate spaces alongside moments of confrontation,
picong and bravado. The paper will explore the liminal spaces of desire and
distrust, the transgression and reassertion of macho ideals and the limits of
intimacy. While emphasis will be on the subtlety and depth of male
representation the paper will also explore how the women are positioned in these
relationships and ask whether the sympathy we feel for the men is sometimes at
the expense of the women.
Jak Peake (Essex)
Sex, Desire and Generation in Trinidadian Fiction: From the Sweetman to the
Vampire
The Beacon group, which emerged in
1930s Trinidad and comprised figures such as CLR James and Alfred Mendes,
created a new genre of fiction centred on the yard. The genre was underscored by
a preoccupation with sex, violence and crime. The sweetman, the jamette woman
and the cuckold all feature as prominent figures in this richly sexualised
literary tapestry. In their libidinous acts, each figure is related through webs
of desire, cycles of generation and regeneration. In their congress, characters
perpetuate a yard in which men are largely absent or ephemeral and matriarchal
stewardship the norm. At heart, the Beacon group’s output reveals a fascination
with the sex acts of its protagonists—a fascination which is inevitably linked
to the outcomes of sex: generation.
This paper considers the gendered roles of
sex, sexual exploitation and generation in the Beacon group’s works and De
Wilton Rogers’s 1944 novel
Lalaja. Connections
between the sweetman and the vampire
inter alia
are investigated in relation to local and regional sexual myths, tropes and
allegories.
Readings and Discussion from:
Lawrence Scott
(Commonwealth Writers’
Prize, Best Book in Canada and the Caribbean, 1999)
Monique Roffey
(Orange Prize Shortlist, 2010)
'Against Stereotyping the Whore'
With extracts to be read from her novel The White Woman on
the Green Bicycle and her memoir With the Kisses of His Mouth
Sponsored by
American Tropics: Towards a Literary Geography (AHRC project)
Department of Literature, Film, and Theatre Studies
Centre for Latin American and Caribbean Studies